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Reggie Dokes offers up nothing less than a baptism by sound for his contribution to Genesis Tracks Vol. Reggie goes deep with reverberant rhythms and crisp synth work, crafting an interstellar afro journey of the highest order. Drifting strings provide the foundation for highly modulated, gritty chord stabs to lead the way through the darkest of dancefloors. The filtered down acid-esque bassline is nothing short of a call to movement for all believers in the authentic sounds of house music.

Glenn Underground is back again on Groovin Recordings with four killer deep-house tracks taken from his album "Silent". Release date: Expected 15 Nov ' On this collection of holiday songs, Austin chanteuse Molly Burch does Christmas with a twist. May these songs welcome in a fresh new year and many warm, happy nights. Includes MP3 Download Code.

Occupying the corners between fuzzed-out shoegaze bliss, troubadour poetry, and metallic catharsis, DIIV —— Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [vocals, bass], and Ben Newman [drums] —— personally inhabit the recesses of their third fulllength album, Deceiver.

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A whirlwind brought DIIV here. Two years after embarking on a program of recovery, Smith has emerged with a clear head and renewed focus. For the first time, DIIV lived with songs on the road. During a tour with Deafheaven, they performed eight new compositions as the bulk of the set. The tunes progressed as the players did.

What is this disease? I can see the change. Swathes of distortion and echoing guitars are expertly laid down before Cole Smith's hypnotic vocals make their mark, coalescing into a lysergic, shoegazing maelstrom. As with much of the art created in the wake of the presidential election, Year Of The Witch sizzles with the fresh sting of political anguish.

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Instead of firing off platitudes about a nation divided, however, Neves and Colleene choose to look inward at how this divide affects familial relationships. Like the California wildfires that were a fixture of their childhood - Neves is from San Jose and Colleene hails from Bakersfield - beliefs are inherited passively, and have equal capacity for destruction. And while the political climate of the time is a palpable force, the album remains anchored, always, in the personal. Back in , after their initial roadside recordings were complete, the hard drive containing them was stolen.

But necessity bred invention, and this loss created a sense of sonic urgency that only strengthens the tracks. The result is a sonic roadmap to resilience: electronic noise punk for the fake news generation. Built on haunting loops and frantic, insistent vocals, YOTW navigates uneasiness with razor-sharp precision. Williams, who produces all his own music, set out to create something with a strong cinematic nature.

Home Made Satan , with its lines about commies and American masochism and the Christian right, is meant to sing along to. Global tracks is a mystery; browsing the name online gives nothing associated with the artist. All we really know is that Gothenburg is home base.

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The music is mostly influenced by jungle, but also by footwork and dancehall. Someone's been at the eckies as this usually more psychedelic stable take a trip to the motorway bridges and abandoned warehouses of '94 Britain. All the massiv! Throughout Free Cell , Tullgren looks back on their memories from the position of an analyst, often cool and cynical but always with an undercurrent of humor and deep feeling. Free Cell invites us to sit and listen, to reflect, but with no guarantee of any of those things being easy.

Their raw, yet meticulous style is characterized by rhythmic complexity, commanding riffs, and introspective lyrics that are as playful and self-aware as they are cutting. Influenced by The Clash, Wire, and Talking Heads, Dudu finds B Boys picking up where they left off, pondering quotidien grievances while examining the bigger picture. On Dudu, B Boys take time to laugh, scream and chant their way through the absurdity of it all. That fuzzy post-punk sound, that whispered but somehow screaming vocal affectation and their hugely listenable but ferocious execution of a uniquely east coast punk snarl.

B Boys, everyone, showing how it's done.

La Onda de Juan Pablo was a travelogue of sorts, with its anthropological efforts, its parade of Latin American musicians and its choice to only feature Wauters native tongue. Introducing Juan Pablo, on the other hand, goes back and forth between Spanish and English. It is, in short, more faithful to the interculturalism that Wauters experiences daily.

But outside in the neighborhood, we speak in English with my friends. Several of them speak in Spanish with their parents, but not all. It doesn't cause me any trouble to go from one language to another. I can express myself in the same way: everything is music. The references to the land where he was born are her on the surface. Between the first track "Super Talking" and the last "Greetings" , songs run in both languages, culminating with "Lora", which opens like a pop kaleidoscope and ends in a kind of cosmic brotherhood between Eduardo Mateo and Syd Barrett.

His immigrant's side.

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His sense of belonging. His social life and his use of language. His need to work. And the even stronger need that his work doesn't become monotonous. His dream of another possible world: a world where all worlds fit. Juan Wauters went through all this to introduce us to Juan Pablo. They are the same person: one among the whole crowd. Designed by Brown and Riggs - as per all previous record sleeves and promotional videos - the minimalist, mixed media creation takes inspiration from Talking Heads and Gang Of Four album art, the work of American artist Cy Twombly, and the economical, regimented aesthetic of the Bauhaus movement.

As important as the music. Her lyrics are developed from observations, notes and poems, and the fragmented imagery is spliced together to disorientating effect. On "Gilded Cloud" elegant snapshots from the golden age of Hollywood are juxtaposed with abrasive guitar textures, "Pyramid Estate" draws parallels between Ancient Egypt and the present day, and "Serenity" evokes the violent energy of a Francis Bacon painting.

Beneath the abstraction are a diverse array of themes, including gender fluidity "Invisible Sex" , city living "Primitive Rhythm" and artistic expression "Unwound". The result is an uncompromising but deeply rewarding debut where the internal and external, cerebral and visceral coalesce to quite startling effect. Reptaliens Valis Captured Tracks.

Focusing at first on creating music and art on a purely personal level, the project soon took off when the duo brought on Julian Kowalski guitar and Tyler Verigin drums to form a live band. The fourpiece swiftly delved into songwriting inspired by sci-fi art and literature, cult mentalities, and deep connections.

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Titled after the Philip K. With FM, Reptaliens divulged tales from an etic: outsiders perspective of cult kidnappings, alien abductions, and sci-fi speculations towards potential future realities. In Valis, the lense is turned inwards and, through the looking glass, the 12 tracks provides an emic glimpse towards the feelings and situations of the subjective experience.


Chris Cohen, his third solo album, was written and recorded in his Lincoln Heights studio and at Tropico Beauties in Glendale, California over the course of the last two years. For me it was like being relieved of a great burden, like my life could finally begin. A brilliantly effervescent collection, and one that is essential for any collection. But similar to life with no health insurance and recording music wedged in the walls of a porn studio, HXXS live somewhere between the uncomfortable and the alluring. Their live show, which consists of any hardware they can get their hands on — drum machines, synthesizers, samplers — is built on loops, making the songs feverish and at times deliberately frenzied to a point of anxiety.

Contemplating the bombardment of modern media and those ill served by it. It was so loved by the label - and the band had so much fun recording it — that they decided to record new material. Cat Number Release date 2 Nov ' The latest chapter in the highly acclaimed Bootleg Series makes available the pivotal studio recordings made by Bob Dylan during six extraordinary sessions in - four in New York September 16, 17, 18, 19 and two in Minneapolis December 27, 30 - that resulted in the artist's masterpiece, Blood On The Tracks. The album's producers have worked from best sources available, in most cases utilizing the original multi-track session tapes.

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The only recordings remaining from the Minneapolis sessions are the multi-track masters of the five performances included on the finished Blood On The Tracks album. Each of these has been remixed and remastered for the deluxe edition. The deluxe box set is a strictly limited edition. The set includes a hardcover photo book featuring liner notes by rock historian Jeff Slate and a complete reproduction of one of Dylan's legendary handwritten 57 page notebooks, where you can follow the lyrical development of the songs that would eventually comprise Blood On The Tracks.

To celebrate 10 years of Captured Tracks, the label have created two budget-priced vinyl samplers that showcase now-classics from a roster of vibrant and varied artists. Plus, they've thrown an exclusive or two in to sweeten the deal. LP 2 Info: Volume 2. Molly Burch burst onto the music scene in with her debut Please Be Mine— a ten-track ode to unrequited romance written after studying Jazz Vocal Performance in Asheville, NC — and earned immediate praise from critics for her smoky, effortless vocals and bleeding-heart lyrics. Finding herself suddenly devoid of stimulation and with nothing but time on her hands, she began anew, bouncing ideas off her bandmate and boyfriend Dailey Toliver — who contributed guitar parts and orches-tration suggestions — and, slowly, an album took shape; soon after, First Flower became real.